{"id":11840,"date":"2012-01-02T04:01:25","date_gmt":"2012-01-02T04:01:25","guid":{"rendered":""},"modified":"2025-10-15T11:01:49","modified_gmt":"2025-10-15T11:01:49","slug":"the-year-in-asian-film","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=11840","title":{"rendered":"The Year in Asian Film"},"content":{"rendered":"<p><strong>Bigger is better.  That\u2019s been this year\u2019s theme for Asian movies as budgets soared to new levels. Leading the pack was \u201cThe Flowers of War,\u201d which, at nearly $100 million, can claim the crown as the most expensive movie ever produced in China. Director Zhang Yimou\u2019s drama about Japan\u2019s war-time occupation of Nanjing starring Christian Bale sets a new high mark for mainland Chinese films, but it remains to be seen whether the movie\u2019s box office will match the price tag.  \u201cFlowers\u201d opened around the same time as \u201cFlying Swords of Dragon Gate,\u201d China\u2019s most expensive 3-D movie. Earlier this year, the tribal epic \u201cWarriors of the Rainbow: Seediq Bale\u201d claimed the title as Taiwan\u2019s costliest movie ever with a budget of $25 million, while South Korea\u2019s \u201cMy Way,\u201d a World War II drama about a Korean man forced to serve in the Japanese military, set a record at 28 billion won ($24 million).<\/strong><\/p>\n<p>But the movies that made the deepest impression were marked by more than just outsize budgets \u2014 some, like \u201cA Simple Life,\u201d were small in scale but big in impact, while others, like \u201cYou Are the Apple of My Eye,\u201d touched a nerve with moviegoers and became too massive to be ignored. <\/p>\n<p><strong><em>A Simple Life &#8211; (2011) Trailer<\/p>\n<p><iframe width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/OCD00LLZmys\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><\/em><\/strong><br \/>\n<strong><em>You are the apple of my eye &#8211; Trailer #1 (with English subtitles)<\/em><\/strong><\/p>\n<p><iframe width=\"450\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/FyRysi1Vovs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>Here 10 of the year\u2019s most notable:<\/strong><\/p>\n<p><strong>Busong:<\/strong> This mythical story, about a young man in search of a cure for his ailing sister, opens a window to the spiritual world of the indigenous people on the Philippine island of Palawan. Wandering through a jungle, the man encounters a grief-stricken woman looking for her husband, a fisherman who\u2019s lost his boat, and a city dweller returning to his home after a long absence. Director Auraeus Solito merges the mystical and the familiar in this culmination of a life-long exploration of his family\u2019s tribal origins.<\/p>\n<p><strong>Flying Swords of Dragon Gate:<\/strong> Jet Li leaps into his first 3-D martial-arts spectacle, playing a general battling an evil eunuch and his henchmen at a burned-down desert outpost called Dragon Gate. Director Tsui Hark uses lavish set pieces \u2014 including a dilapidated inn booby-trapped with trip-wires, and the core of a desert tornado for the climactic sword fight \u2014 and pushes the martial-arts genre to new heights.<\/p>\n<p><iframe width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/IjRAnUofstM\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>Inseparable:<\/strong> Kevin Spacey and Daniel Wu team up for one of the most offbeat movies in recent memory to emerge from China, about an overstressed Chinese man whose life is spiraling out of control \u2014 his marriage is shaky, he\u2019s late on mortgage payments and his boss pressures him to lie to government officials during a company investigation \u2014 and his nosy American neighbor. Together they become an unlikely duo, complete with ragtag costumes, fighting injustice on the streets of Guangzhou. Director Dayyan Eng\u2019s black comedy won\u2019t suit everyone\u2019s taste, but the two actors shine as the odd couple.<\/p>\n<p><strong>Life Without Principle:<\/strong> Over the backdrop of today\u2019s volatile global markets, this film weaves together three stories about money-hungry Hong Kong people: a wife pressuring her policeman husband to buy an expensive home, a bank officer being forced to sell high-risk investments to unsuspecting customers, and a triad underling looking to raise quick cash to spring a fellow gangster from jail. Hong Kong director Johnnie To deserves credit for attempting to say something meaningful about how today\u2019s economic insecurity is hitting society and the moral choices people face in an uncertain financial landscape.<\/p>\n<p><iframe width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/2M7jj-SgyaI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>A Reason to Live:<\/strong> This South Korean film combines a pair of stories about a young woman whose boyfriend is killed by a hit-and-run driver and a teenage girl who is battered by her father, and how the two struggle to forgive the men who have devastated their lives. In her decision to take on the heavy subjects of capital punishment and South Korea\u2019s male-dominated culture, director Lee Jeong-hyang doesn\u2019t so much as judge the status quo, as she looks for a path out.<\/p>\n<p><iframe width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/cXKY33jA9W8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>A Simple Life:<\/strong> Hong Kong director Ann Hui reflects on old age in this story about an elderly amah, or servant, who\u2019s spent her entire life working for one household, and the master who cares for her after she suffers a stroke. The understated performances from Deanie Ip and Andy Lau lend realism to this story, where not much in the way of conventional movie-drama happens. It is rich in detail when it comes to the master-servant relationship, and the poignant conclusion builds slowly.<\/p>\n<p><strong>Unbowed:<\/strong> This courtroom drama from South Korea is based on a recent real-life case, known as the \u201ccrossbow terror incident,\u201d about a professor put on trial for allegedly using the weapon to assault a judge who he believed treated him unfairly in an earlier case. As the defiant professor (played by Ahn Sung-ki) battles judicial indifference, director Chung Ji-young makes a sharp critique of the country\u2019s legal system.<\/p>\n<p><iframe width=\"450\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/LzoJnv440Kw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>Warriors of the Rainbow:<\/strong> Seediq Bale: Director Wei Te-sheng\u2019s two-part, 4-1\/2-hour epic is based on the true story of Taiwan\u2019s Seediq tribes, who launched a bloody uprising in 1930 against Japanese colonial rule in order to preserve their traditional way of life in the island\u2019s mountainous forests. But this isn\u2019t \u201cAvatar,\u201d and history reminds us that the foreign occupiers will eventually crush the rebels, who are no match with their primitive weapons. This ambitious undertaking \u2014 nonprofessional actors were cast in major roles, speaking an obscure native dialect \u2014 represents a milestone in Taiwan cinema.<\/p>\n<p><iframe width=\"450\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/p6kLJh-x2gs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>Wu Xia:<\/strong> Donnie Yen plays a repentant killer from a ruthless clan who\u2019s changed his identity and found sanctuary with an unsuspecting wife (Tang Wei) in an early-20th-century Chinese village. But his past catches up with him as a detective (Takeshi Kaneshiro) and the gang\u2019s leader track him down. Director Peter Chan assembled an all-star cast, including Shaw Brothers legends Jimmy Wang Yu and Wai Ying-hung, for his stylish interpretation of the kung-fu genre, vividly exploring the physics and technique of the martial art.<\/p>\n<p><iframe width=\"450\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/aVwT6sUtBxs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>You Are the Apple of My Eye: <\/strong>In his directorial debut, Taiwanese writer Giddens Ko adapted his best-selling autobiographical novel about a puckish teenage boy and his slacker buddies as they conspire to avoid schoolwork, relish in sexual fantasies about their teacher and stumble through their romantic infatuation with a studious, no-nonsense classmate. This coming-of-age comedy \u2014 an often exaggerated look at the follies of adolescence \u2014 is set in Taiwan in the mid-1990s, but the theme of the march from juvenile indiscretion toward the responsibilities of adulthood is timeless.<\/p>\n<p><a href=\"http:\/\/blogs.wsj.com\/scene\/2011\/12\/29\/the-year-in-asian-film\/\">SOURCE<\/a><br \/>\n<!--break--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bigger is better. That\u2019s been this year\u2019s theme for Asian movies as budgets soared to new levels. Leading the pack<\/p>\n","protected":false},"author":1213,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1,1008],"tags":[2117],"class_list":["post-11840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-sex-in-the-city","tag-sex-in-the-city"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"Joshua","avatar":"https:\/\/secure.gravatar.com\/avatar\/62ee23f8f40307578d1f284ecd823d77f32da8ea35541e7dbdafeb5da1a4e877?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"0","magazineBlocksPostExcerpt":"Bigger is better. That\u2019s been this year\u2019s theme for Asian movies as budgets soared to new levels. Leading the pack","magazineBlocksPostCategories":["News","Sex In The City"],"magazineBlocksPostViewCount":104,"magazineBlocksPostReadTime":6,"magazine_blocks_featured_image_url":{"full":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"medium":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"thumbnail":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg",113,150,true]},"magazine_blocks_author":{"display_name":"Joshua","author_link":"https:\/\/asiancemagazine.com\/?author=1213"},"magazine_blocks_comment":0,"magazine_blocks_author_image":"https:\/\/secure.gravatar.com\/avatar\/62ee23f8f40307578d1f284ecd823d77f32da8ea35541e7dbdafeb5da1a4e877?s=96&d=mm&r=g","magazine_blocks_category":"<a href=\"#\" class=\"category-link category-link-1\">News<\/a> <a href=\"#\" class=\"category-link category-link-1008\">Sex In The City<\/a>","_links":{"self":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/11840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1213"}],"replies":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11840"}],"version-history":[{"count":0,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/11840\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/media\/72448"}],"wp:attachment":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}