{"id":12553,"date":"2012-03-10T01:03:15","date_gmt":"2012-03-10T01:03:15","guid":{"rendered":""},"modified":"2012-03-13T19:03:26","modified_gmt":"2012-03-13T19:03:26","slug":"The-Female-Jeremy-Lin-in-No-Look-Pass-","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=12553","title":{"rendered":"The Female Jeremy Lin in \u201cNo Look Pass\u201d"},"content":{"rendered":"<p><strong>\u201cNo Look Pass\u201d<\/strong> is the coming-of-age American Dream story of Emily &#8220;Etay&#8221; Tay, a first generation Burmese immigrant from Chinatown, Los Angeles, who breaks all of the rules of tradition. After living a double life at Harvard University, she strives to play professional basketball in Germany while coming out as a lesbian. Emily&#8217;s dreams are no slam dunk \u2014 family, race, and Don&#8217;t Ask Don&#8217;t Tell conspire against her, firing her passions on and off the court.<\/p>\n<p><strong>The documentary, screening Sunday and Wednesday during the 30th San Francisco International Asian American Film Festival<\/strong>, is the true story of an Asian-American Harvard graduate who makes it big in basketball.<\/p>\n<p><strong>What magical timing is Emily Tay\u2019s story in the midst of Linsanity, the male Harvard educated basketball player?<\/strong><br \/>\nCalled \u201ca poster child for the American dream,\u201d she is the daughter of immigrants from Myanmar (also known as Burma) and a star player on the Harvard women\u2019s basketball team \u2014 who cleans toilets to earn money to support herself. <\/p>\n<div class=\"pullquote\">\n<div class=\"pullquoteTop\">\n<blockquote><p>\nI believe that NO LOOK PASS is a film that needed to be made and just so happened to call upon me to make it. I accept this responsibility as an honor and feel tremendously excited to share it with the world.\n<\/p><\/blockquote>\n<div class=\"pullquoteAttribute\">Filmmaker Melissa Johnson<\/div>\n<\/div>\n<\/div>\n<p>While her parents expect her to marry a man they choose and become a housewife, her dream is to play professional basketball in Europe and be with her lesbian lover.<\/p>\n<p><strong>\u201cNo Look Pass\u201d \u2014 the title refers to Tay\u2019s signature move on the court<\/strong> \u2014 is among some 100 films and videos screening at this year\u2019s 11-day festival<\/p>\n<p>Presented by the Center for Asian American Media, a group dedicated to promoting the diversity of Asian-American experiences, festival programs include 10 world premieres and seven U.S. premieres from two dozen countries; films screen in Berkeley and San Jose as well as San Francisco.<\/p>\n<p>Filmmaker Melissa Johnson first saw Emily in February 2008 at Lavieties Pavilion, the Harvard home gym. She had heard about this girl, &#8220;The Asian Sensation,&#8221; &#8220;A one-woman Cirque du Soleil\u201d, while she was in town filming &#8220;Act As If&#8221;, a short documentary about her friend and former coach, Kathy Delaney-Smith.<\/p>\n<p><iframe width=\"500\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/KbwxczX2KzQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>While the team practiced in a flurry around her, Melissa had to quickly pick a few players to interview.<\/strong> Her eye immediately went to Emily. Throughout her 13-year career as a player, Melissa played with and against hundreds of young women, but that number only included a handful of Asians and no one from Burma. Emily jumped and hung in the air like a guy and made daring behind-the-back passes the likes of which no one had ever seen before in this gym. It was impossible not to stare. Melissa\u2019s director of photography leaned over to whisper, &#8220;You can pick whoever you want, but it&#8217;s my responsibility to tell you that the camera loves that girl.&#8221;<\/p>\n<p><strong>Coach Delaney-Smith warned me that Emily was notoriously, even painfully shy, and sure enough, she declined the interview.<\/strong> Melissa\u2019s curiosity was piqued \u2014 what athletic star, ranked Top 25 nationally for assists, brimming with cockiness on the court (at a school known for its ambitious students no less) would shirk the spotlight? What was this kid&#8217;s story?<\/p>\n<p>After prodding from her coach, Emily relented. She was her final interview, late in the locker room on a Sunday evening. Her nervousness gave way to an incredible recounting of her life.<\/p>\n<p>We hope you get a chance to see this incredible, exciting and timely film.<\/p>\n<p><strong>S.F. International Asian American Film Festival<br \/>\nWhere:<\/strong> Most screenings at Sundance Kabuki Cinemas, 1865 Post St.; Castro Theatre, 429 Castro St.; S.F. Film Society Cinema, 1746 Post St., S.F.  <\/p>\n<p><strong>When:<\/strong> Today through March 18<\/p>\n<p><strong>Tickets:<\/strong> $10 to $12 most films, more for special events<\/p>\n<p><strong>Contact:<\/strong> (415) 865-1588, www.caamedia.org<\/p>\n<p><strong>Note:<\/strong> \u201cNo Look Pass\u201d screens at 6:30 p.m. Sunday at the Kabuki and 9 p.m. Wednesday at SFFS Cinema. <\/p>\n<p><strong>&#8220;No Look Pass&#8221;<\/strong> comes to the Bay Area in full force over the next couple months as part of <a href=\"http:\/\/sfindie.festivalgenius.com\/2012\/films\/nolookpass_melissajohnson_sfindie2012\">IndieFest<\/a> , <a href=\"http:\/\/www.cinequest.org\/event_view.php?eid=1648\">Cinequest<\/a>, and <a href=\"http:\/\/festival.caamedia.org\/30\/category_ide\/program\/no-look-pass\">the San Francisco International Asian American Film Festival<\/a> .<\/p>\n<p>Visit for more screenings in your area www.nolookpassthemovie.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cNo Look Pass\u201d is the coming-of-age American Dream story of Emily &#8220;Etay&#8221; Tay, a first generation Burmese immigrant from Chinatown,<\/p>\n","protected":false},"author":1,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1],"tags":[],"class_list":["post-12553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"Admin","avatar":"https:\/\/secure.gravatar.com\/avatar\/53e6cdc30765aade0129f85e5aeb50124b1d3f5bb9a70373be31e4eb328371e0?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"0","magazineBlocksPostExcerpt":"\u201cNo Look Pass\u201d is the coming-of-age American Dream story of Emily &#8220;Etay&#8221; Tay, a first generation Burmese immigrant from Chinatown,","magazineBlocksPostCategories":["News"],"magazineBlocksPostViewCount":133,"magazineBlocksPostReadTime":4,"magazine_blocks_featured_image_url":{"full":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"medium":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"thumbnail":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg",113,150,true]},"magazine_blocks_author":{"display_name":"Admin","author_link":"https:\/\/asiancemagazine.com\/?author=1"},"magazine_blocks_comment":0,"magazine_blocks_author_image":"https:\/\/secure.gravatar.com\/avatar\/53e6cdc30765aade0129f85e5aeb50124b1d3f5bb9a70373be31e4eb328371e0?s=96&d=mm&r=g","magazine_blocks_category":"<a href=\"#\" class=\"category-link category-link-1\">News<\/a>","_links":{"self":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/12553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12553"}],"version-history":[{"count":0,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/12553\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/media\/72448"}],"wp:attachment":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}