{"id":15821,"date":"2013-07-18T05:07:10","date_gmt":"2013-07-18T05:07:10","guid":{"rendered":""},"modified":"2013-07-18T05:07:39","modified_gmt":"2013-07-18T05:07:39","slug":"Hysterical-Literature--Margaret-Cho","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=15821","title":{"rendered":"Hysterical Literature &#8211; Margaret Cho"},"content":{"rendered":"<p>Margaret Cho visits the studio and reads from &#8220;Sleeping Beauty&#8221; by A.N. Roquelaure. Directed by Clayton Cubitt.Hysterical Literature is a video art series by NYC-based photographer and filmmaker Clayton Cubitt. It explores feminism, mind\/body dualism, distraction portraiture, and the contrast between culture and sexuality. (It&#8217;s also just really fun to watch.) <\/p>\n<p>Launched in August of 2012, the video series immediately went viral, and has been watched over 18 million times in 200 countries.<\/p>\n<p><strong>She is too funny!<\/strong><\/p>\n<p>Watch other videos in the series, read essays from the participants at http:\/\/hystericalliterature.com<\/p>\n<p><iframe width=\"500\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/quRI4G9XB1U\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Here is another popular one by &#8216;Teresa&#8217;. Teresa visits the studio and reads from &#8220;Sexing the Cherry&#8221; by Jeanette Winterson. Directed by Clayton Cubitt. Subtitles available (CC) in French.<\/p>\n<p><iframe width=\"500\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/oRC2UH9X27Y\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<!--break--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Margaret Cho visits the studio and reads from &#8220;Sleeping Beauty&#8221; by A.N. Roquelaure. Directed by Clayton Cubitt.Hysterical Literature is a<\/p>\n","protected":false},"author":1,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[],"tags":[],"class_list":["post-15821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"Admin","avatar":"https:\/\/secure.gravatar.com\/avatar\/53e6cdc30765aade0129f85e5aeb50124b1d3f5bb9a70373be31e4eb328371e0?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"0","magazineBlocksPostExcerpt":"Margaret Cho visits the studio and reads from &#8220;Sleeping Beauty&#8221; by A.N. 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