{"id":7505,"date":"2011-02-05T00:02:12","date_gmt":"2011-02-05T00:02:12","guid":{"rendered":""},"modified":"2011-02-06T03:02:17","modified_gmt":"2011-02-06T03:02:17","slug":"The-Oscars--The-King-s-Speech","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=7505","title":{"rendered":"The Oscars:  The King&#8217;s Speech"},"content":{"rendered":"<p><strong>My Oscar nominations:<br \/>\n<\/strong><br \/>\n<strong>1.BEST MOTION PICTURE \u2013 DRAMA<br \/>\n<\/strong>a.BLACK SWAN<br \/>\nProtozoa Pictures &#038; Cross Creek Pictures &#038; Phoenix; Fox Searchlight Pictures<br \/>\nb.THE FIGHTER<br \/>\nParamount Pictures and Relativity Media; Paramount Pictures and Relativity Media<br \/>\nc.INCEPTION<br \/>\nWarner Bros. Pictures UK LTD.; Warner Bros. Pictures<br \/>\n<strong>d.THE KING\u2019S SPEECH<br \/>\nSee-Saw Films and Bedlam Productions; The Weinstein Company<br \/>\n<\/strong>e.THE SOCIAL NETWORK<br \/>\nColumbia Pictures; Sony Pictures Releasing<br \/>\nChoice: D The King&#8217;s Speech<\/p>\n<p><strong>2.BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE \u2013 DRAMA<br \/>\n<\/strong>a.HALLE BERRY FRANKIE AND ALICE<br \/>\nb.NICOLE KIDMAN RABBIT HOLE<br \/>\nc.JENNIFER LAWRENCE WINTER\u2019S BONE<br \/>\nd.NATALIE PORTMAN BLACK SWAN<br \/>\ne.MICHELLE WILLIAMS BLUE VALENTINE<br \/>\nChoice-N\/A Not happy with the choices.<\/p>\n<p><strong>3.BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE \u2013 DRAMA<br \/>\na.JESSE EISENBERG THE SOCIAL NETWORK<br \/>\nb.COLIN FIRTH THE KING\u2019S SPEECH<br \/>\nc.JAMES FRANCO 127 HOURS<br \/>\nd.RYAN GOSLING BLUE VALENTINE<br \/>\ne.MARK WAHLBERG THE FIGHTER<br \/>\nChoice B<\/p>\n<p><strong>4.BEST MOTION PICTURE \u2013 COMEDY OR MUSICAL<br \/>\na.ALICE IN WONDERLAND<br \/>\nWalt Disney Pictures; Walt Disney Studios Motion Pictures<br \/>\n<strong>b.BURLESQUE<br \/>\nScreen Gems; Sony Pictures Releasing<br \/>\nc.THE KIDS ARE ALL RIGHT<br \/>\nAntidote Films, Mandalay Vision, Gilbert Films; Focus Features<br \/>\nd.RED<br \/>\ndi Bonaventura Pictures; Summit Entertainment<br \/>\ne.THE TOURIST<br \/>\nGK Films; Sony Pictures Releasing<br \/>\nChoice: B Burlesque<\/p>\n<p><strong>5.BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE \u2013 COMEDY OR MUSICAL<br \/>\na.ANNETTE BENING THE KIDS ARE ALL RIGHT<br \/>\nb.ANNE HATHAWAY LOVE &#038; OTHER DRUGS<br \/>\nc.ANGELINA JOLIE THE TOURIST<br \/>\n<strong>d.JULIANNE MOORE THE KIDS ARE ALL RIGHT<br \/>\ne.EMMA STONE EASY A<br \/>\nChoice: d. Julianne Moore<\/p>\n<p><strong>6.BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE \u2013 COMEDY OR MUSICAL<br \/>\n<strong>a.JOHNNY DEPP ALICE IN WONDERLAND<br \/>\nb.JOHNNY DEPP THE TOURIST<br \/>\nc.PAUL GIAMATTI BARNEY\u2019S VERSION<br \/>\nd.JAKE GYLLENHAAL LOVE AND OTHER DRUGS<br \/>\ne.KEVIN SPACEY CASINO JACK<br \/>\nChoice: A Johnny Depp Alice In Wonderland<\/p>\n<p><strong>7.BEST ANIMATED FEATURE FILM<br \/>\n<strong>a.DESPICABLE ME<br \/>\nUniversal Pictures, Illumination Entertainment; Universal Pictures<br \/>\nb.HOW TO TRAIN YOUR DRAGON<br \/>\nDreamWorks Animation; Paramount Pictures<br \/>\nc.THE ILLUSIONIST<br \/>\nDjango Films, Cin\u00e9 B and France 3 Cin\u00e9ma; Sony Pictures Classics<br \/>\nd.TANGLED<br \/>\nWalt Disney Animation Studios; Walt Disney Studios Motion Pictures<br \/>\ne.TOY STORY 3<br \/>\nDisney * Pixar; Walt Disney Studios Motion Pictures<br \/>\nChoice: A. Depicable Me<\/p>\n<p><strong>8.BEST FOREIGN LANGUAGE FILM<br \/>\nBIUTIFUL (MEXICO\/SPAIN)<\/strong><br \/>\na.Menageatroz, Focus Features International; Roadside Attractions<br \/>\nTHE CONCERT (FRANCE)<br \/>\nb.An O\u00ef O\u00ef O\u00ef Productions, Les Productions Du Tresor, France 3 Cinema, Europacorp, Castel Films, Panache Productions, RTBF (Belgian Television), BIM Distrubuzione Co., Canal +, Cinecinema and France 3; The Weinstein Company<br \/>\nTHE EDGE (Kpa?) (RUSSIA)<br \/>\nc.Rock Films, Teleshow, Channel One Russia, with the support of Russian Railways (Russia)<br \/>\n<strong>I AM LOVE (IO SONO L\u2019AMORE) (ITALY)<br \/>\nd.First Sun; Magnolia Pictures<br \/>\nIN A BETTER WORLD (H\u00e6vnen) (DENMARK)<br \/>\ne.Zentropa Entertainment; Sony Pictures Classics<br \/>\nChoice: D. I Am Love from Italy<\/p>\n<p>9.BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE <\/p>\n<p>a.AMY ADAMS THE FIGHTER <\/p>\n<p><strong>b.HELENA BONHAM CARTER THE KING\u2019S SPEECH<br \/>\nc.MILA KUNIS BLACK SWAN <\/p>\n<p>d.MELISSA LEO THE FIGHTER <\/p>\n<p>e.JACKI WEAVER ANIMAL KINGDOM<br \/>\nChoice: b. Helena Bonham Carter<\/p>\n<p><strong>10.BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE<br \/>\na.CHRISTIAN BALE THE FIGHTER<br \/>\nb.MICHAEL DOUGLAS WALL STREET: MONEY NEVER SLEEPS<br \/>\nc.ANDREW GARFIELD THE SOCIAL NETWORK<br \/>\nd.JEREMY RENNER THE TOWN<br \/>\n<strong>e.GEOFFREY RUSH THE KING\u2019S SPEECH <\/p>\n<p><strong>11.BEST DIRECTOR \u2013 MOTION PICTURE<br \/>\na.DARREN ARONOFSKY BLACK SWAN<br \/>\nb.DAVID FINCHER THE SOCIAL NETWORK<br \/>\n<strong>c.TOM HOOPER THE KING\u2019S SPEECH<br \/>\nd.CHRISTOPHER NOLAN INCEPTION<br \/>\ne.DAVID O. RUSSELL THE FIGHTER <\/p>\n<p><strong>12.BEST SCREENPLAY \u2013 MOTION PICTURE<br \/>\na.DANNY BOYLE, SIMON BEAUFOY  127 HOURS<br \/>\nb.LISA CHOLODENKO, STUART BLUMBERG  THE KIDS ARE ALL RIGHT<br \/>\nc.CHRISTOPHER NOLAN INCEPTION<br \/>\nd.DAVID SEIDLER THE KING\u2019S SPEECH<br \/>\n<strong>e.AARON SORKIN THE SOCIAL NETWORK <\/p>\n<p><strong>13.BEST ORIGINAL SCORE \u2013 MOTION PICTURE<br \/>\na.ALEXANDRE DESPLAT THE KING\u2019S SPEECH<br \/>\nb.DANNY ELFMAN ALICE IN WONDERLAND<br \/>\nc.A.R. RAHMAN 127 HOURS<br \/>\n<strong>d.TRENT REZNOR, ATTICUS ROSS  THE SOCIAL NETWORK<br \/>\ne.HANS ZIMMER INCEPTION <\/p>\n<p><strong>14.BEST ORIGINAL SONG \u2013 MOTION PICTURE<br \/>\n<\/strong><strong>a.\u201cBOUND TO YOU\u201d \u2014 BURLESQUE<br \/>\nMusic by: Samuel DixonLyrics by: Christina Aguilera, Sia Furler<br \/>\nb.\u201cCOMING HOME\u201d \u2014 COUNTRY STRONG<br \/>\nMusic &#038; Lyrics by: Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges<br \/>\nc.\u201cI SEE THE LIGHT\u201d \u2014 TANGLED<br \/>\nMusic by: Alan MenkenLyrics by: Glenn Slater<br \/>\nd.\u201cTHERE\u2019S A PLACE FOR US\u201d \u2014 THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER<br \/>\nMusic &#038; Lyrics by: Carrie Underwood, David Hodges, Hillary Lindsey<br \/>\n<strong>e.\u201cYOU HAVEN\u2019T SEEN THE LAST OF ME\u201d \u2014 BURLESQUE<br \/>\nMusic &#038; Lyrics by: Diane Warren<br \/>\n<strong><em>I&#8217;m torn a tie!<br \/>\n<\/em><\/strong><\/p>\n<p><strong>15.BEST TELEVISION SERIES \u2013 DRAMA<br \/>\n<\/strong><strong>a.BOARDWALK EMPIRE (HBO)<br \/>\nLeverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions, HBO Entertainment<br \/>\nb.DEXTER (SHOWTIME)<br \/>\nShowtime, John Goldwyn Productions, The Colleton Company<br \/>\nc.THE GOOD WIFE (CBS)<br \/>\nCBS Television Studios<br \/>\n<strong>d.MAD MEN (AMC)<br \/>\nLionsgate Television<br \/>\ne.THE WALKING DEAD (AMC)AMC<br \/>\n<strong><em>Love both of them, can&#8217;t decide between the two!<\/em><\/strong><\/p>\n<p><strong><em>For the Oscars, my overall pick is &#8220;The King&#8217;s Speech&#8221; due to the superb cast and the fact that the movie was of superior quality despite the lack of sex and violence.  I have to applaud the Weinsteins for their commitment to making high quality films that inspire people! Kudos to Harvey Weinstein!!<br \/>\nHe gets that the key to quality filmmaking lies in the old-fashioned art of storytelling.  Colin Firth made me cry during his speech.  The movie really struck a cord with me!<\/em><\/strong><br \/>\n<!--break--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My Oscar nominations: 1.BEST MOTION PICTURE \u2013 DRAMA a.BLACK SWAN Protozoa Pictures &#038; Cross Creek Pictures &#038; Phoenix; Fox Searchlight<\/p>\n","protected":false},"author":1213,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[],"tags":[],"class_list":["post-7505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"Joshua","avatar":"https:\/\/secure.gravatar.com\/avatar\/62ee23f8f40307578d1f284ecd823d77f32da8ea35541e7dbdafeb5da1a4e877?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"4","magazineBlocksPostExcerpt":"My Oscar nominations: 1.BEST MOTION PICTURE \u2013 DRAMA a.BLACK SWAN Protozoa Pictures &#038; Cross Creek Pictures &#038; Phoenix; Fox Searchlight","magazineBlocksPostCategories":[],"magazineBlocksPostViewCount":162,"magazineBlocksPostReadTime":5,"magazine_blocks_featured_image_url":{"full":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"medium":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"thumbnail":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg",113,150,true]},"magazine_blocks_author":{"display_name":"Joshua","author_link":"https:\/\/asiancemagazine.com\/?author=1213"},"magazine_blocks_comment":4,"magazine_blocks_author_image":"https:\/\/secure.gravatar.com\/avatar\/62ee23f8f40307578d1f284ecd823d77f32da8ea35541e7dbdafeb5da1a4e877?s=96&d=mm&r=g","magazine_blocks_category":"","_links":{"self":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1213"}],"replies":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7505"}],"version-history":[{"count":0,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/7505\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/media\/72448"}],"wp:attachment":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}