{"id":9879,"date":"2011-08-04T18:08:04","date_gmt":"2011-08-04T18:08:04","guid":{"rendered":""},"modified":"2011-08-04T18:08:04","modified_gmt":"2011-08-04T18:08:04","slug":"Kinema-Junpo-and-Eigei-poll-of-critics-of-the-best-and-worst-films-of-2010-","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=9879","title":{"rendered":"Kinema Junpo and Eigei poll of critics of the best (and worst) films of 2010."},"content":{"rendered":"<p>Kinema Junpo poll of critics of the best ten films of 2010.<\/p>\n<p>1. Villain (Lee)<br \/>\n2. Confessions (Nakashima)<br \/>\n3. Heaven\u2019s Story (Zeze)<br \/>\n4. 13 Assassins (Miike)<br \/>\n5. Sawako Decides (Ishii)<br \/>\n6. Caterpillar (Wakamatsu)<br \/>\n7. Sword of Desperation (Hirayama)<br \/>\n8. The Hero Show (Izutsu)<br \/>\n9. Sketches of Kaitan City (Kumakiri)<br \/>\n10. A Night in Nude: Salvation (Ishii)<br \/>\n11. Abacus and Sword (Morita)<\/p>\n<p>Best Director: Lee Sang Il (Villain)<br \/>\nBest Screenplay: Lee Sang Il, Yoshida Shuichi (Villain)<br \/>\nBest Actress: Terajima Shinobu (Caterpillar)<br \/>\nBest Actor: Toyokawa Etsushi (Sword of Desperation, A Good Husband)<br \/>\nBest Supporting Actress: Ando Sakura (A Crowd of Three, etc.)<br \/>\nBest Supporting Actor: Emoto Akira (Villain)<br \/>\nBest New Actress: Sakuraba Nanami (Last Ronin, etc.)<br \/>\nBest New Actor: Ikuta Toma (No Longer Human, etc.)<\/p>\n<p>The results of the Eiga geijutsu poll of the best (and worst) films of 2010.<\/p>\n<p>In Japanese:<\/p>\n<p>http:\/\/eigageijutsu.com\/article\/181634398.html<\/p>\n<p>Here they are in English:<\/p>\n<p>1. Heaven&#8217;s Story (Zeze Takahisa)<br \/>\n2. Doman Seman (Shibata Go)<br \/>\n3. Kore de ii no kashira (Okishima Isao)<br \/>\n4. Partners (Shimomura Masaru)<br \/>\n5. Yellow Kid (Mariko Tetsuya)<br \/>\n6. Sawako Decides (Ishii Yuya)<br \/>\n6. Sankaku (Yoshida Keisuke)<br \/>\n8. 13 Assassins (Miike Takashi)<br \/>\n9. Sketches of Kaitan City (Kumakiri Kazuyoshi)<br \/>\n9. Time Traveller (Masaaki Taniguchi)<br \/>\n9. Boys on the Run (Miura Daisuke)<\/p>\n<p>And the worst ten list:<\/p>\n<p>1. Confessions (Tetsuya Nakashima)<br \/>\n2. Caterpillar (Koji Wakamatsu)<br \/>\n3. About Her Brother (Yoji Yamada)<br \/>\n4. Incite Mill (Hideo Nakata)<br \/>\n5. Tokyo Island (Makoto Shinozaki)<br \/>\n6. Zatoichi, The Last (Junji Sakamoto)<br \/>\n6. Surely Someday (Shun Oguri)<br \/>\n8. Space Battleship Yamato (Takashi Yamazaki)<br \/>\n9. Bayside Shakedown 3 (Katsuyuki Motohiro)<br \/>\n9. Solanin (Takahiro Miki)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kinema Junpo poll of critics of the best ten films of 2010. 1. Villain (Lee) 2. Confessions (Nakashima) 3. Heaven\u2019s<\/p>\n","protected":false},"author":2906,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1],"tags":[],"class_list":["post-9879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"miltonnkmtexdzzbware","avatar":"https:\/\/secure.gravatar.com\/avatar\/3527f19d7d58c365cc680435b627010b8e2bd568baa06c24c87e48f6de123288?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"1","magazineBlocksPostExcerpt":"Kinema Junpo poll of critics of the best ten films of 2010. 1. Villain (Lee) 2. Confessions (Nakashima) 3. Heaven\u2019s","magazineBlocksPostCategories":["News"],"magazineBlocksPostViewCount":157,"magazineBlocksPostReadTime":2,"magazine_blocks_featured_image_url":{"full":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"medium":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"thumbnail":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg",113,150,true]},"magazine_blocks_author":{"display_name":"miltonnkmtexdzzbware","author_link":"https:\/\/asiancemagazine.com\/?author=2906"},"magazine_blocks_comment":1,"magazine_blocks_author_image":"https:\/\/secure.gravatar.com\/avatar\/3527f19d7d58c365cc680435b627010b8e2bd568baa06c24c87e48f6de123288?s=96&d=mm&r=g","magazine_blocks_category":"<a href=\"#\" class=\"category-link category-link-1\">News<\/a>","_links":{"self":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/users\/2906"}],"replies":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9879"}],"version-history":[{"count":0,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/media\/72448"}],"wp:attachment":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}