{"id":9903,"date":"2011-08-08T01:08:35","date_gmt":"2011-08-08T01:08:35","guid":{"rendered":""},"modified":"2011-08-08T01:08:35","modified_gmt":"2011-08-08T01:08:35","slug":"100-movies-chosen-by-Satoshi-Kon-s-Yume-Miru-Kikai-team","status":"publish","type":"post","link":"https:\/\/asiancemagazine.com\/?p=9903","title":{"rendered":"100 movies chosen by Satoshi Kon&#8217;s Yume Miru Kikai team"},"content":{"rendered":"<p>The Long Gray Line, 1954, John Ford<br \/>\nIt&#8217;s A Wonderful Life, 1946, Frank Capra<br \/>\nSome Like It Hot, 1958, Billy Wilder<br \/>\nSabrina, 1954, Billy Wilder<br \/>\nSunset Boulevard, 1950, Billy Wilder<br \/>\nStalag 17, 1953, Billy Wilder<br \/>\nRoman Holiday, 1953, William Wyler<br \/>\nLawrence of Arabia, 1962, David Lean<br \/>\nThe Birds, 1963, Alfred Hitchcock<br \/>\nRear Window, 1954, Alfred Hitchcock<br \/>\nPsycho, 1960, Alfred Hitchcock<br \/>\n12 Angry Men, 1957, Sidney Lumet<br \/>\nA Clockwork Orange, 1971, Stanley Kubrick<br \/>\nThe Shining, 1980, Stanley Kubrick<br \/>\n2001: A Space Odyssey, 1968, Stanley Kubrick<br \/>\n??????? (Stalker), 1979, Andrei Tarkovsky<br \/>\n??????? (Solaris), 1972, Andrei Tarkovsky<br \/>\nClose Encounters Of The Third Kind, 1977, Steven Spielberg<br \/>\nJaws, 1975, Steven Spielberg<br \/>\nStar Wars Episode IV: A New Hope, 1977, George Lucas<br \/>\nApocalypse Now, 1979, Francis Ford Coppola<br \/>\nThe Godfather, 1972, Francis Ford Coppola<br \/>\nThe Godfather Part II, 1974, Francis Ford Coppola<br \/>\nOne Flew Over The Cuckoo&#8217;s Nest, 1975, Milos Forman<br \/>\nAmadeus, 1984, Milos Forman<br \/>\nGone With The Wind, 1939, Victor Fleming<br \/>\nThe Great Escape, 1963, John Sturges<br \/>\nThe Enemy Below, 1957, Dick Powell<br \/>\nThe Wages Of Fear, 1953, Henri-Georges Clouzot<br \/>\nPlein Soleil (Purple Noon, 1960, Ren\u00e9 Cl\u00e9ment<br \/>\nMidnight Cowboy, 1969, John Schlesinger<br \/>\nButch Cassidy and the Sundance Kid, 1969, George Roy Hill<br \/>\nBonnie and Clyde, 1967, Arthur Penn<br \/>\nLittle Big Man, 1971, Arthur Penn<br \/>\nStraw Dogs, 1971, Sam Peckinpah<br \/>\nDirty Harry, 1971, Don Siegel<br \/>\nThe Day of the Jackal, 1973, Fred Zinnemann<br \/>\nThe French Connection, 1971, William Friedkin<br \/>\nThe Exorcist, 1973, William Friedkin<br \/>\nTaxi Driver, 1976, Martin Scorcese<br \/>\nSlaughterhouse Five, 1972, George Roy Hill<br \/>\nThe World According To Garp, 1982, George Roy Hill<br \/>\nDie Blechtrommel (The Tin Drum), 1979, Volker Schl\u00f6ndorff<br \/>\nMitt liv som hund (My Life As a Dog), 1985, Lasse Hallstr\u00f6m<br \/>\nWhat&#8217;s Eating Gilbert Grape, 1993, Lasse Hallstr\u00f6m<br \/>\nAmerican Beauty, 1999, Sam Mendes<br \/>\nPaper Moon, 1973, Peter Bogdanovich<br \/>\nThe Deer Hunter, 1978, Michael Cimino<br \/>\nThe Player, 1992, Robert Altman<br \/>\nShort Cuts, 1993, Robert Altman<br \/>\nDays of Heaven, 1978, Terence Malick<br \/>\nMelody, 1971, Waris Hussein<br \/>\nThe Spirit of the Beehive, 1973, V\u00edctor Erice<br \/>\nAll That Jazz, 1979, Bob Fosse<br \/>\nGloria, 1980, John Cassavettes<br \/>\nBirdy, 1984, Alan Parker<br \/>\nWitness, 1985, Peter Weir<br \/>\nBlue Velvet, 1986, David Lynch<br \/>\nMidnight Run, 1988, Martin Brest<br \/>\nDie Hard, 1988, John McTiernan<br \/>\nReservoir Dogs, 1992, Quentin Tarantino<br \/>\nPulp Fiction, 1994, Quentin Tarantino<br \/>\nLock, Stock and Two Smoking Barrels, 1999, Guy Ritchie<br \/>\nThe Shawshank Redemption, 1994, Frank Darabont<br \/>\nSe7en, 1995, David Fincher<br \/>\nAlien, 1979, Ridley Scott<br \/>\nAliens, 1986, James Cameron<br \/>\nBlade Runner, 1985, Ridley Scott<br \/>\nBrazil, 1985, Terry Gilliam<br \/>\nMad Max 2: The Road Warrior, 1981, George Miller<br \/>\nThe Terminator, 1984, James Cameron<br \/>\nThe City of Lost Children, 1995, Marc Caro &#038; Jean-Pierre Jeunet<br \/>\nBatman Returns, 1992, Tim Burton<br \/>\nThe Dark Knight, 2008, Christopher Nolan<br \/>\nA Nightmare on Elm Street, 1984, Wes Craven<br \/>\nBilly Elliot, 2000, Stephen Daldry<br \/>\nBrassed Off, 1997, Mark Herman<br \/>\nThe Full Monty, 1996, Peter Cattaneo<br \/>\nSliding Doors, 19998, Peter Howitt<br \/>\nLittle Miss Sunshine, 2006, Jonathan Dayton and Valerie Faris<br \/>\nHeaven Can Wait, 1978, Warren Beatty and Buck Henry<br \/>\nThe Boy Who Could Fly, 1985, Nick Castle<br \/>\nHeart and Souls, 1993, Ron Underwood<br \/>\n???? (The Seven Samurai), 1954, Akira Kurosawa<br \/>\n??? (Red Beard), 1965, Akira Kurosawa<br \/>\n??? (Rashomon), 1950, Akira Kurosawa<br \/>\n????? (High and Low), 1963, Akira Kurosawa<br \/>\n??? (Yojimbo), 1961, Akira Kurosawa<br \/>\n???? (Tokyo Story) 1953, Yasujiro Ozu<br \/>\n?? (Harakiri), 1962, Masaki Kobayashi<br \/>\n?????????? (Samurai Rebellion), 1967, Masaki Kobayashi<br \/>\n??? (Godzilla), 1954, Ishiro Honda<br \/>\n??????? (Dokuritsu gurentai nishi e), 1960, Kihachi Okamoto<br \/>\n??? &#8220;Chi to suna&#8221; (Blood and Sand)), 1965, Kihachi Okamoto<br \/>\n???? (The Flesh Is Hot), 1961, Shohei Imamura<br \/>\n?? (The Wanderers), 1973, Kon Ichikawa<br \/>\n??? (The Castle of Sand), 1974, Yoshitaro Nomura<br \/>\n??????? (The Man Who Stole the Sun), 1979, Kazuhiko Hasegawa<br \/>\n??? (Exchange Students), 1982, Nobuhiko Obayashi<br \/>\n????? (The Family Game), 1983, Yoshimitsu Morita<\/p>\n<p>Original lists here:<\/p>\n<p>http:\/\/konstone.s-kon.net\/modules\/notebook\/archives\/551<\/p>\n<p>and here:<\/p>\n<p>http:\/\/konstone.s-kon.net\/modules\/notebook\/archives\/558<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Long Gray Line, 1954, John Ford It&#8217;s A Wonderful Life, 1946, Frank Capra Some Like It Hot, 1958, Billy<\/p>\n","protected":false},"author":2906,"featured_media":72448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[1],"tags":[],"class_list":["post-9903","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","medium_large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","1536x1536":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","2048x2048":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-highlighted-post":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-medium":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-featured-post-small":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x90.jpg","colormag-featured-image":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-default-news":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg","colormag-featured-image-large":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-block-extra-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-small-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg","colormag-elementor-grid-medium-large-thumbnail":"https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg"},"magazineBlocksPostAuthor":{"name":"miltonnkmtexdzzbware","avatar":"https:\/\/secure.gravatar.com\/avatar\/3527f19d7d58c365cc680435b627010b8e2bd568baa06c24c87e48f6de123288?s=96&d=mm&r=g"},"magazineBlocksPostCommentsNumber":"0","magazineBlocksPostExcerpt":"The Long Gray Line, 1954, John Ford It&#8217;s A Wonderful Life, 1946, Frank Capra Some Like It Hot, 1958, Billy","magazineBlocksPostCategories":["News"],"magazineBlocksPostViewCount":122,"magazineBlocksPostReadTime":3,"magazine_blocks_featured_image_url":{"full":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"medium":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u.jpg",113,170,false],"thumbnail":["https:\/\/asiancemagazine.com\/wp-content\/uploads\/u-113x150.jpg",113,150,true]},"magazine_blocks_author":{"display_name":"miltonnkmtexdzzbware","author_link":"https:\/\/asiancemagazine.com\/?author=2906"},"magazine_blocks_comment":0,"magazine_blocks_author_image":"https:\/\/secure.gravatar.com\/avatar\/3527f19d7d58c365cc680435b627010b8e2bd568baa06c24c87e48f6de123288?s=96&d=mm&r=g","magazine_blocks_category":"<a href=\"#\" class=\"category-link category-link-1\">News<\/a>","_links":{"self":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/users\/2906"}],"replies":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9903"}],"version-history":[{"count":0,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9903\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=\/wp\/v2\/media\/72448"}],"wp:attachment":[{"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asiancemagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}